"Thinking in concepts... It exists only in the form of this touching of the limit, as a transgression, surpassing, transcending or excess, as a form outside itself which no longer closes itself off to the formlessness of preconceptual entities. The dimension of the pre-conceptual can be denoted as the order of the pre-synthetic trace, as the domain of the gramma (Derrida) or, in Agamben's terminology, of the voice, as the dimension of a difference and limit that reveals itself to conceptual desire as resistance.
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Infinitely [complicated] in the sense of the sense of infinity defended by Blanchot, which aims at the impossibility of closure and cessation."
from #17 in Marcus Steinweg's 23 Theses on Art, Philosophy, Truth and Subjectivity
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